For real?Originally Posted by UglyMaChanh
Hôm qua they còn compare her to Jennifer Hudson, on Piers Morgan.
For real?
Hôm qua they còn compare her to Jennifer Hudson, on Piers Morgan.
From MSNBC:
File- In this Oct. 28, 2006, file photo, musician Whitney Houston arrives at the 17th Carousel of Hope Ball benefiting the Barbara Davis Center for Childhood Diabetes in Beverly Hills, Calif. Houston died Saturday, Feb. 11, 2012, she was 48. (AP Photo/Matt Sayles)
By NEKESA MUMBI MOODY | Associated Press – 12 mins ago
(AP) — Whitney Houston, who reigned as pop music's queen until her majestic voice and regal image were ravaged by drug use, erratic behavior and a tumultuous marriage to singer Bobby Brown, has died. She was 48.
Publicist Kristen Foster said Saturday that the singer had died, but the cause and the location of her death were unknown.
At her peak, Houston was the golden girl of the music industry. From the middle 1980s to the late 1990s, she was one of the world's best-selling artists. She wowed audiences with effortless, powerful, and peerless vocals that were rooted in the black church but made palatable to the masses with a pop sheen.
Her success carried her beyond music to movies, where she starred in hits like "The Bodyguard" and "Waiting to Exhale."
She had the perfect voice and the perfect image: a gorgeous singer who had sex appeal but was never overtly sexual, who maintained perfect poise.
She influenced a generation of younger singers, from Christina Aguilera to Mariah Carey, who when she first came out sounded so much like Houston that many thought it was Houston.
But by the end of her career, Houston became a stunning cautionary tale of the toll of drug use. Her album sales plummeted and the hits stopped coming; her once serene image was shattered by a wild demeanor and bizarre public appearances. She confessed to abusing cocaine, marijuana and pills, and her once pristine voice became raspy and hoarse, unable to hit the high notes as she had during her prime.
"The biggest devil is me. I'm either my best friend or my worst enemy," Houston told ABC's Diane Sawyer in an infamous 2002 interview with then-husband Brown by her side.
It was a tragic fall for a superstar who was one of the top-selling artists in pop music history, with more than 55 million records sold in the United States alone.
She seemed to be born into greatness. She was the daughter of gospel singer Cissy Houston, the cousin of 1960s pop diva Dionne Warwick and the goddaughter of Aretha Franklin.
Houston first started singing in the church as a child. In her teens, she sang backup for Chaka Khan, Jermaine Jackson and others, in addition to modeling. It was around that time when music mogul Clive Davis first heard Houston perform.
"The time that I first saw her singing in her mother's act in a club ... it was such a stunning impact," Davis told "Good Morning America."
"To hear this young girl breathe such fire into this song. I mean, it really sent the proverbial tingles up my spine," he added.
Before long, the rest of the country would feel it, too. Houston made her album debut in 1985 with "Whitney Houston," which sold millions and spawned hit after hit. "Saving All My Love for You" brought her her first Grammy, for best female pop vocal. "How Will I Know," ''You Give Good Love" and "The Greatest Love of All" also became hit singles.
Another multiplatinum album, "Whitney," came out in 1987 and included hits like "Where Do Broken Hearts Go" and "I Wanna Dance With Somebody."
The New York Times wrote that Houston "possesses one of her generation's most powerful gospel-trained voices, but she eschews many of the churchier mannerisms of her forerunners. She uses ornamental gospel phrasing only sparingly, and instead of projecting an earthy, tearful vulnerability, communicates cool self-assurance and strength, building pop ballads to majestic, sustained peaks of intensity."
Her decision not to follow the more soulful inflections of singers like Franklin drew criticism by some who saw her as playing down her black roots to go pop and reach white audiences. The criticism would become a constant refrain through much of her career. She was even booed during the "Soul Train Awards" in 1989.
"Sometimes it gets down to that, you know?" she told Katie Couric in 1996. "You're not black enough for them. I don't know. You're not R&B enough. You're very pop. The white audience has taken you away from them."
Some saw her 1992 marriage to former New Edition member and soul crooner Bobby Brown as an attempt to refute those critics. It seemed to be an odd union; she was seen as pop's pure princess while he had a bad-boy image, and already had children of his own. (The couple had a daughter, Bobbi Kristina, in 1993.) Over the years, he would be arrested several times, on charges ranging from DUI to failure to pay child support.
But Houston said their true personalities were not as far apart as people may have believed.
"When you love, you love. I mean, do you stop loving somebody because you have different images? You know, Bobby and I basically come from the same place," she told Rolling Stone in 1993. "You see somebody, and you deal with their image, that's their image. It's part of them, it's not the whole picture. I am not always in a sequined gown. I am nobody's angel. I can get down and dirty. I can get raunchy."
It would take several years, however, for the public to see that side of Houston. Her moving 1991 rendition of "The Star Spangled Banner" at the Super Bowl, amid the first Gulf War, set a new standard and once again reaffirmed her as America's sweetheart.
In 1992, she became a star in the acting world with "The Bodyguard." Despite mixed reviews, the story of a singer (Houston) guarded by a former Secret Service agent (Kevin Costner) was an international success.
It also gave her perhaps her most memorable hit: a searing, stunning rendition of Dolly Parton's "I Will Always Love You," which sat atop the charts for weeks. It was Grammy's record of the year and best female pop vocal, and the "Bodyguard" soundtrack was named album of the year.
She returned to the big screen in 1995-96 with "Waiting to Exhale" and "The Preacher's Wife." Both spawned soundtrack albums, and another hit studio album, "My Love Is Your Love," in 1998, brought her a Grammy for best female R&B vocal for the cut "It's Not Right But It's Okay."
But during these career and personal highs, Houston was using drugs. In an interview with Oprah Winfrey in 2010, she said by the time "The Preacher's Wife" was released, "(doing drugs) was an everyday thing. ... I would do my work, but after I did my work, for a whole year or two, it was every day. ... I wasn't happy by that point in time. I was losing myself."
In the interview, Houston blamed her rocky marriage to Brown, which included a charge of domestic abuse against Brown in 1993. They divorced in 2007.
Houston would go to rehab twice before she would declare herself drug-free to Winfrey in 2010. But in the interim, there were missed concert dates, a stop at an airport due to drugs, and public meltdowns.
She was so startlingly thin during a 2001 Michael Jackson tribute concert that rumors spread she had died the next day. Her crude behavior and jittery appearance on Brown's reality show, "Being Bobby Brown," was an example of her sad decline. Her Sawyer interview, where she declared "crack is whack," was often parodied. She dropped out of the spotlight for a few years.
Houston staged what seemed to be a successful comeback with the 2009 album "I Look To You." The album debuted on the top of the charts, and would eventually go platinum.
Things soon fell apart. A concert to promote the album on "Good Morning America" went awry as Houston's voice sounded ragged and off-key. She blamed an interview with Winfrey for straining her voice.
A world tour launched overseas, however, only confirmed suspicions that Houston had lost her treasured gift, as she failed to hit notes and left many fans unimpressed; some walked out. Canceled concert dates raised speculation that she may have been abusing drugs, but she denied those claims and said she was in great shape, blaming illness for cancellations.
Who are we to judge, right?
But it's no coincidence that so many gifted young talents, artists had been stolen away from their fans at an early age due to drug useage/abuse.
I am always against comtroling the controled substances (aka War on Drugs), but the death of Whitney is again forced us to take another hard look at how drugs has destroyed so many young lives [who are more vulnerable than the rest of us] in our times.
There's no official report yet. But rest asured, drugs will have something to do with it.
I am not judging her right now.
I just feel sad. Sad for her, for her family, her fans and her friends.
And she was trying to make a comeback, too.
SAD!!!!
From New York Post:
Updated: Sat., Feb. 11, 2012, 11:58 PM
Last Updated: 11:58 PM, February 11, 2012
Posted: 7:59 PM, February 11, 2012
Whitney Houston, who ruled as pop music's queen until her majestic voice was ravaged by drug use and her regal image was ruined by erratic behavior and a tumultuous marriage to singer Bobby Brown, died Saturday. She was 48.
Beverly Hills police Lt. Mark Rosen told reporters outside the Beverly Hilton that Houston was pronounced dead at 3:55 p.m. in her room on the fourth floor of the hotel. Her body remained there and Beverly Hills detectives were investigating.
"There were no obvious signs of any criminal intent," Rosen said.
Houston's publicist, Kristen Foster, said the cause of death was unknown.
WireImage
Singer Whitney Houston, seen here in Hollywood, Calif., Thursday, is dead at 48.
Rosen said police received a 911 call from hotel security about Houston at 3:43 p.m. Saturday. Paramedics who were already at the hotel because of a Grammy party unsuccessfully tried to resuscitate the singer, he said.
Houston's end came on the eve of music's biggest night — the Grammy Awards. It's a showcase where she once reigned, and her death was sure to cast a heavy pall on Sunday's ceremony.
Her longtime mentor Clive Davis was to hold his annual concert and dinner Saturday, and a representative of the show said it would proceed.
Producer Jimmy Jam, who had worked with Houston, said he anticipated the evening would become a tribute to her, and he expected there to be one at the Grammys as well.
Houston was supposed to appear at the gala, and Davis had told The Associated Press that she would perhaps perform: "It's her favorite night of the year ... (so) who knows by the end of the evening," he said.
Houston had been at rehearsals for the show Thursday, coaching singers Brandy and Monica, according to a person who was at the event but was not authorized to speak publicly about it. The person said Houston looked disheveled, was sweating profusely and liquor and cigarettes could be smelled on her breath.
Two days ago, she performed at a pre-Grammy party with singer Kelly Price.
"I just can't talk about it now," Houston's godmother, Aretha Franklin, said in a short statement. "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen."
The Rev. Al Sharpton said he would call for a national prayer Sunday morning during a service at Second Baptist Church in Los Angeles.
"The morning of the Grammys, the world should pause and pray for the memory of a gifted songbird," Sharpton said in a written statement.
In a statement, Recording Academy President and CEO Neil Portnow said Houston "was one of the world's greatest pop singers of all time who leaves behind a robust musical soundtrack spanning the past three decades."
"Her powerful voice graced many memorable and award-winning songs," Portnow said. "A light has been dimmed in our music community today, and we extend our deepest condolences to her family, friends, fans and all who have been touched by her beautiful voice."
At her peak, Houston was the golden girl of the music industry. From the middle 1980s to the late 1990s, she was one of the world's best-selling artists. She wowed audiences with effortless, powerful, and peerless vocals that were rooted in the black church but made palatable to the masses with a pop sheen.
Her success carried her beyond music to movies, where she starred in hits like "The Bodyguard" and "Waiting to Exhale."
She had the perfect voice and the perfect image: a gorgeous singer who had sex appeal but was never overtly sexual, who maintained perfect poise.
She influenced a generation of younger singers, from Christina Aguilera to Mariah Carey, who when she first came out sounded so much like Houston that many thought it was Houston.
But by the end of her career, Houston became a stunning cautionary tale of the toll of drug use. Her album sales plummeted and the hits stopped coming; her once serene image was shattered by a wild demeanor and bizarre public appearances. She confessed to abusing cocaine, marijuana and pills, and her once pristine voice became raspy and hoarse, unable to hit the high notes as she had during her prime.
"The biggest devil is me. I'm either my best friend or my worst enemy," Houston told ABC's Diane Sawyer in an infamous 2002 interview with then-husband Brown by her side.
It was a tragic fall for a superstar who was one of the top-selling artists in pop music history, with more than 55 million records sold in the United States alone.
She seemed to be born into greatness. In addition to being Franklin's goddaughter, she was the daughter of gospel singer Cissy Houston and the cousin of 1960s pop diva Dionne Warwick.
Houston first started singing in the church as a child. In her teens, she sang backup for Chaka Khan, Jermaine Jackson and others, in addition to modeling. It was around that time when music mogul Clive Davis first heard Houston perform.
"The time that I first saw her singing in her mother's act in a club ... it was such a stunning impact," Davis told "Good Morning America."
"To hear this young girl breathe such fire into this song. I mean, it really sent the proverbial tingles up my spine," he added.
Before long, the rest of the country would feel it, too. Houston made her album debut in 1985 with "Whitney Houston," which sold millions and spawned hit after hit. "Saving All My Love for You" brought her her first Grammy, for best female pop vocal. "How Will I Know," ''You Give Good Love" and "The Greatest Love of All" also became hit singles.
Another multiplatinum album, "Whitney," came out in 1987 and included hits like "Where Do Broken Hearts Go" and "I Wanna Dance With Somebody."
The New York Times wrote that Houston "possesses one of her generation's most powerful gospel-trained voices, but she eschews many of the churchier mannerisms of her forerunners. She uses ornamental gospel phrasing only sparingly, and instead of projecting an earthy, tearful vulnerability, communicates cool self-assurance and strength, building pop ballads to majestic, sustained peaks of intensity."
Her decision not to follow the more soulful inflections of singers like Franklin drew criticism by some who saw her as playing down her black roots to go pop and reach white audiences. The criticism would become a constant refrain through much of her career. She was even booed during the "Soul Train Awards" in 1989.
"Sometimes it gets down to that, you know?" she told Katie Couric in 1996. "You're not black enough for them. I don't know. You're not R&B enough. You're very pop. The white audience has taken you away from them."
Some saw her 1992 marriage to former New Edition member and soul crooner Bobby Brown as an attempt to refute those critics. It seemed to be an odd union; she was seen as pop's pure princess while he had a bad-boy image, and already had children of his own. (The couple had a daughter, Bobbi Kristina, in 1993.) Over the years, he would be arrested several times, on charges ranging from DUI to failure to pay child support.
But Houston said their true personalities were not as far apart as people may have believed.
"When you love, you love. I mean, do you stop loving somebody because you have different images? You know, Bobby and I basically come from the same place," she told Rolling Stone in 1993. "You see somebody, and you deal with their image, that's their image. It's part of them, it's not the whole picture. I am not always in a sequined gown. I am nobody's angel. I can get down and dirty. I can get raunchy."
Brown was getting ready to perform at a New Edition reunion tour in Southaven, Miss., as news spread about Houston's death Saturday evening.
The group went ahead with its performance, but Brown acknowledged that it was difficult.
He told the sell-out crowd: "First of all, I want to tell you that I love you all. Second, I would like to say, I love you Whitney. The hardest thing for me to do is to come on this stage."
Brown said he decided to perform because fans had shown their loyalty to the group for more than 25 years. During an intermission, one of Houston's early hits, "You Give Good Love," played over the speakers. Fans stood up and began singing along with the song.
It would take several years for the public to see the "down and dirty" side of Houston. Her moving 1991 rendition of "The Star Spangled Banner" at the Super Bowl, amid the first Gulf War, set a new standard and once again reaffirmed her as America's sweetheart.
In 1992, she became a star in the acting world with "The Bodyguard." Despite mixed reviews, the story of a singer (Houston) guarded by a former Secret Service agent (Kevin Costner) was an international success.
It also gave her perhaps her most memorable hit: a searing, stunning rendition of Dolly Parton's "I Will Always Love You," which sat atop the charts for weeks. It was Grammy's record of the year and best female pop vocal, and the "Bodyguard" soundtrack was named album of the year.
She returned to the big screen in 1995-96 with "Waiting to Exhale" and "The Preacher's Wife." Both spawned soundtrack albums, and another hit studio album, "My Love Is Your Love," in 1998, brought her a Grammy for best female R&B vocal for the cut "It's Not Right But It's Okay."
But during these career and personal highs, Houston was using drugs. In an interview with Oprah Winfrey in 2010, she said by the time "The Preacher's Wife" was released, "(doing drugs) was an everyday thing. ... I would do my work, but after I did my work, for a whole year or two, it was every day. ... I wasn't happy by that point in time. I was losing myself."
In the interview, Houston blamed her rocky marriage to Brown, which included a charge of domestic abuse against Brown in 1993. They divorced in 2007.
Houston would go to rehab twice before she would declare herself drug-free to Winfrey in 2010. But in the interim, there were missed concert dates, a stop at an airport due to drugs, and public meltdowns.
She was so startlingly thin during a 2011 Michael Jackson tribute concert that rumors spread she had died the next day. Her crude behavior and jittery appearance on Brown's reality show, "Being Bobby Brown," was an example of her sad decline. Her Sawyer interview, where she declared "crack is whack," was often parodied. She dropped out of the spotlight for a few years.
Houston staged what seemed to be a successful comeback with the 2009 album "I Look To You." The album debuted on the top of the charts, and would eventually go platinum.
Things soon fell apart. A concert to promote the album on "Good Morning America" went awry as Houston's voice sounded ragged and off-key. She blamed an interview with Winfrey for straining her voice.
A world tour launched overseas, however, only confirmed suspicions that Houston had lost her treasured gift, as she failed to hit notes and left many fans unimpressed; some walked out. Canceled concert dates raised speculation that she may have been abusing drugs, but she denied those claims and said she was in great shape, blaming illness for cancellations.
From The New York Times:
David Corio
February 11, 2012
By JON PARELES and ADAM NAGOURNEY
Whitney Houston, the multimillion-selling singer who emerged in the 1980s as one of her generation’s greatest R & B voices, only to deteriorate through years of cocaine use and an abusive marriage, died on Saturday in Beverly Hills, Calif. She was 48.
Her death came as the music industry descended on Los Angeles for the annual celebration of the Grammy Awards, and Ms. Houston was — for all her difficulties over the years — one of its queens. She was staying at the Beverly Hilton hotel on Saturday to attend a pre-Grammy party being hosted by Clive Davis, the founder of Arista Records, who had been her pop mentor.
Ms. Houston was found in her room at 3:55 p.m., and paramedics spent close to 20 minutes trying to revive her, the authorities said. There was no immediate word on the cause of her death, but the authorities said there were no signs of foul play.
From the start of her career more than two decades ago, Ms. Houston had the talent, looks and pedigree of a pop superstar. She was the daughter of Cissy Houston, a gospel and pop singer who had backed up Aretha Franklin, and the cousin of Dionne Warwick. (Ms. Franklin is Ms. Houston’s godmother.)
Ms. Houston’s range spanned three octaves, and her voice was plush, vibrant and often spectacular. She could pour on the exuberant flourishes of gospel or peal a simple pop chorus; she could sing sweetly or unleash a sultry rasp.
Dressed in everything from formal gowns to T-shirts, she cultivated the image of a fun-loving but ardent good girl, the voice behind songs as perky as “I Wanna Dance With Somebody (Who Loves Me)” and as torchy as what became her signature song, a version of Dolly Parton’s “I Will Always Love You.”
But by the mid-1990s, even as she was moving into acting with films like “The Bodyguard” and “The Preacher’s Wife,” she became what she described, in a 2009 interview with Oprah Winfrey, as a “heavy” user of marijuana and cocaine. By the 2000s she was struggling; her voice grew smaller, scratchier and less secure, and her performances grew erratic.
All of Ms. Houston’s studio albums were million-sellers, and two have sold more than 10 million copies in the United States alone: her 1985 debut album and the 1992 soundtrack to “The Bodyguard,” which includes “I Will Always Love You.”
But her marriage to the singer Bobby Brown — which was, at one point, documented in a Bravo reality television series, “Being Bobby Brown” — grew miserable, and in the 2000s, her singles slipped from the top 10. Ms. Houston became a tabloid subject: the National Enquirer ran a photo of her bathroom showing drug paraphernalia. And each new album — “Just Whitney” in 2002 and “I Look to You” in 2009 — became a comeback.
At Central Park in 2009, singing for “Good Morning America,” her voice was frayed, and on the world tour that followed the release of the album “I Look to You” that year, she was often shaky. Whitney Houston was born on Aug. 9, 1963, in Newark. She sang in church, and as a teenager in the 1970s and early 1980s, she worked as a backup studio singer and featured vocalist with acts including Chaka Khan, the Neville Brothers and Bill Laswell’s Material.
Mr. Davis signed her after hearing her perform in a New York City nightclub, and spent two years supervising production of the album “Whitney Houston,” which was released in 1985. It placed her remarkable voice in polished, catchy songs that straddled pop and R & B, and it included three No. 1 singles: “Saving All My Love for You,” “How Will I Know” and “The Greatest Love of All.”
Because Ms. Houston had been credited on previous recordings, including a 1984 duet with Teddy Pendergrass, she was ruled ineligible for the best new artist category of the Grammy Awards; the eligibility criteria have since been changed. But with “Saving All My Love for You,” she won her first Grammy award, for best female pop vocal performance, an award she would win twice more.
Her popularity soared for the next decade. Her second album, “Whitney,” in 1987, became the first album by a woman to enter the Billboard charts at No. 1, and it included four No. 1 singles. She shifted her pop slightly toward R & B on her third album, “I’ll Be Your Baby Tonight,” in 1990, which had three more No. 1 singles.
For much of the 1990s, she turned to acting, bolstered by her music. She played a pop diva in “The Bodyguard,” and its soundtrack album — including the hits “I Will Always Love You,” “I’m Every Woman,” “I Have Nothing” and “Run to You” — went on to sell 17 million copies in the United States. It won the Grammy for album of the year, and “I Will Always Love You” won record of the year (for a single). After making the films “Waiting To Exhale” in 1995 and “The Preacher’s Wife” in 1996 — which gave her the occasion to make a gospel album — Ms. Houston resumed her pop career with “My Love Is Your Love” in 1998.
Ms. Houston married Mr. Brown in 1992, and in 1993 they had a daughter, Bobbi Kristina, who survives her. Ms. Houston’s 2009 interview with Ms. Winfrey portrayed it as a passionate and then turbulent marriage, marred by drug use and by his professional jealousy, psychological abuse and physical confrontations. They divorced in 2007.
Her albums in the 2000s advanced a new persona for Ms. Houston. “Just Whitney,” in 2002, was defensive and scrappy, lashing out at the media and insisting on her loyalty to her man. Her most recent studio album, “I Look to You,” appeared in 2009, and it, too, reached No. 1. The album included a hard-headed breakup song, “Salute,” and a hymnlike anthem, “I Didn’t Know My Own Strength.” Ms. Houston sang, “I crashed down and I tumbled, but I did not crumble/I got through all the pain,” in a voice that showed scars.
Neil R. Portnow, president of the National Academy of Recording Arts and Sciences, which bestows the Grammys, called her “one of the world’s greatest pop singers of all time, who leaves behind a robust musical soundtrack.”
“A light has been dimmed in our music community today,” he said.
Lt. Mark Rosen, a spokesman for the Beverly Hills Police Department, said that emergency workers responded to a 911 call from security at the Beverly Hilton hotel on Wilshire Boulevard at 3:43 p.m., saying that Ms. Houston was unconscious in her fourth-floor suite. He said that some Fire Department personnel were already on the scene to help prepare for a pre-Grammy party.
Lieutenant Rosen said that detectives had arrived to conduct what he said was a full-scale investigation into the death. He said that Ms. Houston’s body was still in the hotel room as of 8 p.m. and would not be removed until the investigation was completed.
“There were no obvious signs of foul play,” he said. “It’s still fresh an investigation to know whether — the reality is she was too far too young to die and any time you have the death of someone this age it is the subject of an investigation.”
Ms. Houston arrived at the hotel with what Lieutenant Rosen described as an entourage of friends and family, some of whom were in the hotel suite at the time. He said that police had notified Ms. Houston’s mother and daughter of the death; it was unclear whether or not they were there.
At Mr. Davis’s party, where Ms. Houston was a regular guest and performer, tourists shot cellphone pictures of a police crime laboratory van parked outside. But inside, the glamour of the event seemed undiminished, even if Ms Houston’s name was on everyone’s lips
The streets in front of the Beverly Hilton, already crowded because of the Grammy Awards party taking place there, swarmed with reporters and fans, drawn by the news of this latest high-profile pop star dying in Los Angeles.
Even after the news of Ms. Houston’s death had been released, celebrities and other partygoers continued to arrive for the Davis event, which went on as planned, while fans stood behind a rope trying to take pictures. Dressed in evening gowns and tuxedos, people stepped out of limousines at curbside and streamed into the hotel.
A number of fans came to mourn Ms. Houston and to show their support. “I was in utter, total disbelief,” Lavetris Singleton said. “Who was not a fan of Whitney Houston at some point?”
“I want to show support because she inspired a lot of people and nobody’s perfect,” she said. “But if we’re not out here then she’ll be forgotten. We are her legacy.”
Performers at the Staples Center in downtown Los Angeles, where the Grammys are to be held, heard about Ms. Houston’s death just as Rihanna and Coldplay were about to rehearse their number for the awards.
The show’s producer, Ken Ehrlich, debated about how to acknowledge Ms. Houston’s death. (The show is already scheduled to include a tribute by Alicia Keys and Bonnie Raitt to Etta James, the blues singer who died last month, as well as a video segment about music figures who died in 2011.)
After the initial shock, Mr. Ehrlich said he called Jennifer Hudson and asked her to come and sing one of Ms. Houston’s songs during the televised show on Sunday as a simple memorial. “We are going to do something very simple, not elaborate,” he said. “We just want to keep it respectful.”
"My feeling was it’s to early to do an extended tribute," Mr. Ehrlich added, "but we really wanted to remember her because she was so closely tied to the Grammys.”
Besides her daughter, now 18, Ms. Houston is survived by her mother. A woman who answered the telephone at the Edgewater, N.J., home of Ms. Houston’s mother on Saturday night said she would not speak to reporters.
Jon Pareles reported from New York, and Adam Nagourney from Santa Barbara, Calif. Reporting was contributed by Ian Lovett, Jennifer Medina and Ben Sisario in Los Angeles and Channing Joseph and James C. McKinley Jr. in New York.
From The Daily Beast:
Allison Samuels, who interviewed Houston many times, is at the Beverly Hilton, where the troubled singer was found.
by Allison Samuels (/contributors/allison-samuels.html) | February 11, 2012 10:01 PM EST
Five years ago, I pre-wrote an obituary for Whitney Houston after a disturbing interview with her in which she kept cursing and was obviously high. I knew at that point that either she was going to get better or she was going to die.
Today I was looking forward to seeing her. I was taping a segment for VH1’s Behind the Music about Akon at the Beverly Hilton, which was also where music mogul Clive Davis’s annual pre-Grammy party was set to be. VH1 was supposed to interview Houston right after me about the Davis party (he was her mentor), her upcoming movie, Sparkle, and getting back on track.
Someone kept banging on the door as we taped, so we stopped. The woman at the door, who it turned out was Houston's personal assistant, Lynn Volkman, said, “Whitney’s not coming, Whitney’s not coming.” And then finally said, “She’s dead.” Volkman was in a daze.
The crime lab truck is outside the Beverly Hilton right now. People are filtering into the hotel for the party, which appears will still happen.
I interviewed Whitney Houston many times. She was like a sister-girlfriend. She would always give me long hugs. She was such a classy woman when she had it together; and then she would be a horrible potty mouth when she did not. So many people tried to help her, from Davis to Denzel Washington. I’m sure they’re all devastated.
Whitney Houston[/h]Jun Sato / WireImage-Getty Images Whitney Houston was born on Aug. 9, 1963, in Newark, N.J., to a highly musical family. Her mother was Cissy Houston, a member of a gospel group, who later launched a successful solo career. Dionne Warwick was her cousin, and Aretha Franklin, the Queen of Soul, was her godmother.
From Time:
David Corio / Getty Images
One of the greatest voices in the history of American popular music has been silenced. An appreciation of the talents of Whitney Houston
By Howard Chua-Eoan | February 11, 2012
Several years ago in Los Angeles, I walked out of a hotel in Westwood and saw a beautiful but slight woman step out of a limousine, stride past her bodyguards and head up the front steps. It took me several moments to say to myself, “Isn’t that Whitney Houston?” She wasn’t what I expected. She wasn’t of supermodel dimensions – even if she was one of the most beautiful women in the world. She didn’t say a word – even though her voice will echo forever in the soundtrack of the my life. She simply walked imperiously forward, not evincing the slightest curiosity at the riffraff around her – myself included. She looked as if she felt she was the most important person in the world at that moment. And she was, for everyone who saw her. It was a sight I will never forget. Yet, though her self-confidence radiated into that southern California evening, she looked uncannily frail, almost small.
Whitney Elizabeth Houston, 48, died on the eve of the Grammy Awards, the music industry’s annual celebration of itself. The cause of her death is yet unknown, but it is certain to plunge her colleagues, friends, rivals and disciples into the kind of introspective mourning reserved only for the artists who have achieved the greatest success and become the victims of their great good fortune. Her voice, combined with her looks, made her one of the biggest stars on the planet. She set sales record after sales record. Her first major foray into the movie industry in The Bodyguard (1992) became a milestone in the issue (or non-issue) of race in casting (who could quarrel with her being the star?) and produced – or, as some critics would say, inflicted – a version of “I Will Always Love You” on the cosmos that will reverberate until its sound waves make contact with extraterrestrial intelligence. It was the range and power of her natural gifts that produced at the 1991 Super Bowl – with the U.S. 10 days into the first Gulf War – one of the most astonishing renditions of the Star Spangled Banner ever heard. The U.S. Air Force flying overhead became a mere afterthought to her renewal of the vigor of a song written in 1814. She was the voice of America.
The real-life Whitney Houston, however, was one of greater frailty than the superpower she manifested in her voice. She had been born to sing. Her mother was Cissy Houston, a soul and gospel performer who sang backup for Elvis Presley, Mahalia Jackson and Aretha Franklin. Whitney’s cousin was Dionne Warwick, one of the indelible voices of American pop. Whitney was herself singing in the choir in her hometown of Newark, N.J. at the age of 11. Her beauty led to an early modeling career but her vocal talents soon led to a contract with Arista Records and the producer Clive Davis, who would do more than anyone to shape her public image.
That image was of the gorgeous all-American girl who could belt ballads and dance tunes with equal ease. It was revolutionary in its way: that an African-American woman could embody that archetype as seamlessly as white women have in the past – at least in public. In the beginning, she was perfectly cast: glamorous and distant, with a voice that was warm even if the celebrity was unapproachable. She made you move; she made you want; she gave immediacy and voice to your instincts and emotions. But she was a goddess.
Beginning in 1985, that goddess would produce pop hit after pop hit at a time the record industry was at its height, in the years before iTunes: “You Give Good Love,” “Saving All My Love for You,” “How Will I Know,” “I Wanna Dance with Somebody (Who Loves Me),” “I’m Your Baby Tonight,” “My Love Is Your Love” and countless others. Her covers of previous hits like “I’m Every Woman” by Chaka Khan and “I Will Always Love You” by Dolly Parton virtually overshadowed the originals.
And yet the goddess would choose to marry and bear the child of one of the bad boys of the industry, Bobby Brown. That union, which lasted from 1992 to 2007, would be rocked by rumors of infidelity and drug use. She was arrested for marijuana possession in Hawaii in 2000, though the charges were dropped. Brown accused Houston of introducing him to cocaine in his 2009 autobiography. He admitted, however, that before coke, marijuana had been his drug of choice. In her last few years, Houston looked haggard and worn; her face both puffy and emaciated. More tragically, her voice was shattered, no longer able to soar. She would be unable to complete performances. She was booed at her rare appearances. Yet, her old recordings and their remixed versions would continue to be played around the world, in dance clubs, over YouTube and the latest iterations of media to astound fresh generations. But the goddess was definitely human – and no one was able to reach her to save her.
In the end, the private Whitney Houston was in a hell that perhaps no one will fully plumb. It may be of some comfort that her travails are over. What will never be forgotten is the glory of her voice, the ease with which she projected it into the universe and the way she made us want to sing along, carried by its optimism and its promise – no matter how illusory it turned out to be. Every great artist knows the magic of defying reality and frailty. At her peak, Whitney Houston was the greatest enchantress.
From Fox:
Published February 12, 2012 | FoxNews.com
Whitney Houston, who reigned as pop music's queen until her majestic voice and regal image were ravaged by drug use, erratic behavior and a tumultuous marriage to singer Bobby Brown, has died, Fox News confirms. She was 48.
The Beverly Hills Police Department responded to an emergency call at the Beverly Hilton hotel Saturday, Lt. Mark Rosen, of the Beverly Hills Police Department said.
Members of hotel staff and fire department officials attempted to revive a person on the fourth floor, who has since been confirmed to be Houston, Rosen said.
Officials did not see obvious signs of criminal intent, and are currently investigating to determine the cause of death, he said.
A coroner's official says Whitney Houston's body has been transported from the hotel and is awaiting an autopsy.
Capt. Brian Elias of the Los Angeles County coroner's office says the examination has not been scheduled and that investigators are awaiting reports before an autopsy can be conducted.
He says he could not release any information about how Houston's body was found at the Beverly Hills Hilton. Her body remained at the hotel for several hours before being taken to the morgue.
Houston's death on the eve of the Grammy Awards sent shock waves through the music industry, with many stars expressing shock and sadness.
Brown reportedly broke down back stage before a show with his band New Edition in Southhaven, a few miles south of Memphis.
Brown skipped the first song of the concert, but appeared onstage for the second. He shouted, "I love you, Whitney. The hardest thing for me to do is to come on this stage." He then blew a kiss to the sky with visibly teary eyes.
Her longtime mentor Clive Davis held his annual concert and dinner Saturday at the hotel where her body was found. Producer Jimmy Jam, who had worked with Houston, said he anticipated the evening would become a tribute to her.
Aretha Franklin, her godmother, also said she was stunned.
"I just can't talk about it now," Franklin said in a short statement. "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen."
The Rev. Al Sharpton said he would call for a national prayer Sunday morning during a service at Second Baptist Church in Los Angeles.
Houston's death is sure to put a damper on the Grammy's, which are considered music's biggest night of the year.
Jennifer Hudson and Chaka Khan will perform a tribute to Houston at the awards, according to reports.
Grammy executive producer Ken Erhlich said event organizers believed Hudson -- an Academy Award-winning actress and Grammy Award-winning artist -- could perform a "respectful musical tribute" to Houston, the Los Angeles Times reported.
"It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years," Ehrlich told the newspaper.
According to ET Online, Chaka Khan will also perform as part of Sunday night's tribute to Houston.
At her peak, Houston the golden girl of the music industry. From the middle 1980s to the late 1990s, she was one of the world's best-selling artists. She wowed audiences with effortless, powerful, and peerless vocals that were rooted in the black church but made palatable to the masses with a pop sheen.
Her success carried her beyond music to movies, where she starred in hits like "The Bodyguard" and "Waiting to Exhale."
She had the perfect voice, and the perfect image: a gorgeous singer who had sex appeal but was never overtly sexual, who maintained perfect poise.
"Six-time GRAMMY winner Whitney Houston was one of the world's greatest pop singers of all time who leaves behind a robust musical soundtrack spanning the past three decades," Neil Portnow, President/CEO of The Recording Academy said in a statement.
"Her powerful voice graced many memorable and award-winning songs. A light has been dimmed in our music community today, and we extend our deepest condolences to her family, friends, fans and all who have been touched by her beautiful voice," he said.
She influenced a generation of younger singers, from Christina Aguilera to Mariah Carey, who when she first came out sounded so much like Houston that many thought it was Houston.
But by the end of her career, Houston became a stunning cautionary tale of the toll of drug use. Her album sales plummeted and the hits stopped coming; her once serene image was shattered by a wild demeanor and bizarre public appearances. She confessed to abusing cocaine, marijuana and pills, and her once pristine voice became raspy and hoarse, unable to hit the high notes as she had during her prime.
"The biggest devil is me. I'm either my best friend or my worst enemy," Houston told ABC's Diane Sawyer in an infamous 2002 interview with then-husband Brown by her side.
It was a tragic fall for a superstar who was one of the top-selling artists in pop music history, with more than 55 million records sold in the United States alone.
She seemed to be born into greatness. She was the daughter of gospel singer Cissy Houston, the cousin of 1960s pop diva Dionne Warwick and the goddaughter of Aretha Franklin.
Houston first started singing in the church as a child. In her teens, she sang backup for Chaka Khan, Jermaine Jackson and others, in addition to modeling. It was around that time when music mogul Clive Davis first heard Houston perform.
"The time that I first saw her singing in her mother's act in a club ... it was such a stunning impact," Davis told "Good Morning America."
"To hear this young girl breathe such fire into this song. I mean, it really sent the proverbial tingles up my spine," he added.
Before long, the rest of the country would feel it, too. Houston made her album debut in 1985 with "Whitney Houston," which sold millions and spawned hit after hit. "Saving All My Love for You" brought her her first Grammy, for best female pop vocal. "How Will I Know," "You Give Good Love" and "The Greatest Love of All" also became hit singles.
Another multiplatinum album, "Whitney," came out in 1987 and included hits like "Where Do Broken Hearts Go" and "I Wanna Dance With Somebody."
The New York Times wrote that Houston "possesses one of her generation's most powerful gospel-trained voices, but she eschews many of the churchier mannerisms of her forerunners. She uses ornamental gospel phrasing only sparingly, and instead of projecting an earthy, tearful vulnerability, communicates cool self-assurance and strength, building pop ballads to majestic, sustained peaks of intensity."
Her decision not to follow the more soulful inflections of singers like Franklin drew criticism by some who saw her as playing down her black roots to go pop and reach white audiences. The criticism would become a constant refrain through much of her career. She was even booed during the "Soul Train Awards" in 1989.
"Sometimes it gets down to that, you know?" she told Katie Couric in 1996. "You're not black enough for them. I don't know. You're not R&B enough. You're very pop. The white audience has taken you away from them."
Some saw her 1992 marriage to former New Edition member and soul crooner Bobby Brown as an attempt to refute those critics. It seemed to be an odd union; she was seen as pop's pure princess while he had a bad-boy image, and already had children of his own. (The couple had a daughter, Bobbi Kristina, in 1993.) Over the years, he would be arrested several times, on charges ranging from DUI to failure to pay child support.
But Houston said their true personalities were not as far apart as people may have believed.
"When you love, you love. I mean, do you stop loving somebody because you have different images? You know, Bobby and I basically come from the same place," she told Rolling Stone in 1993. "You see somebody, and you deal with their image, that's their image. It's part of them, it's not the whole picture. I am not always in a sequined gown. I am nobody's angel. I can get down and dirty. I can get raunchy."
It would take several years, however, for the public to see that side of Houston. Her moving 1991 rendition of "The Star Spangled Banner" at the Super Bowl, amid the first Gulf War, set a new standard and once again reaffirmed her as America's sweetheart.
In 1992, she became a star in the acting world with "The Bodyguard." Despite mixed reviews, the story of a singer (Houston) guarded by a former Secret Service agent (Kevin Costner) was an international success.
It also gave her perhaps her most memorable hit: a searing, stunning rendition of Dolly Parton's "I Will Always Love You," which sat atop the charts for weeks. It was Grammy's record of the year and best female pop vocal, and the "Bodyguard" soundtrack was named album of the year.
She returned to the big screen in 1995-96 with "Waiting to Exhale" and "The Preacher's Wife." Both spawned soundtrack albums, and another hit studio album, "My Love Is Your Love," in 1998, brought her a Grammy for best female R&B vocal for the cut "It's Not Right But It's Okay."
But during these career and personal highs, Houston was using drugs. In an interview with Oprah Winfrey in 2010, she said by the time "The Preacher's Wife" was released, "(doing drugs) was an everyday thing. ... I would do my work, but after I did my work, for a whole year or two, it was every day. ... I wasn't happy by that point in time. I was losing myself."
In the interview, Houston blamed her rocky marriage to Brown, which included a charge of domestic abuse against Brown in 1993. They divorced in 2007.
Houston would go to rehab twice before she would declare herself drug-free to Winfrey in 2010. But in the interim, there were missed concert dates, a stop at an airport due to drugs, and public meltdowns.
She was so startlingly thin during a 2001 Michael Jackson tribute concert that rumors spread she had died the next day. Her crude behavior and jittery appearance on Brown's reality show,
"Being Bobby Brown," was an example of her sad decline. Her Sawyer interview, where she declared "crack is whack," was often parodied. She dropped out of the spotlight for a few years.
Houston staged what seemed to be a successful comeback with the 2009 album "I Look To You." The album debuted on the top of the charts, and would eventually go platinum.
Things soon fell apart. A concert to promote the album on "Good Morning America" went awry as Houston's voice sounded ragged and off-key. She blamed an interview with Winfrey for straining her voice.
A world tour launched overseas, however, only confirmed suspicions that Houston had lost her treasured gift, as she failed to hit notes and left many fans unimpressed; some walked out.
Canceled concert dates raised speculation that she may have been abusing drugs, but she denied those claims and said she was in great shape, blaming illness for cancellations.
The Associated Press and Newscore contributed to this report.
From ABC:
Feb 12, 2012 11:49am
Credit: Charley Gallay/Getty Images for DCP.
Whitney Houston was a force to be reckoned with during her heyday in the 1990s. Sadly, the pop icon who died Saturday at the age of 48, was also an example of how drugs, alcohol, and bad relationships can ruin even the most talented of stars.
Below, ten highlights and low lights from Houston’s life.
1. 1985 debut. Houston’s natural born talent was clear from her first national television appearance, when she belted out “Home” on “The Merv Griffin Show,” accompanied by nothing more than a piano.
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